![]() ![]() He comes to Berlin to replace another agent. He is able to follow his target, Claudia, without detection almost every single day. It's clear that he is quite good at his job. It's not exactly an isolating experience for him. He's to keep a tight lid on this investigation. He has contact with his superior stateside and that's it. He's been tasked with investigating his lead on the identity of whistleblower Thomas Shaw by himself. He returns to the city with new information and a secret agenda. He's the introductory character into this world of Berlin. It's through his eyes that the audience sees most everything. But it should be even more exciting to watch once we understand all the different levels actually playing out in that moment.ĭaniel Miller really is the point-of-view character for the majority of the premiere. Right now, it's key that Daniel is the one searching for key piece of intel left behind. It would be very wise to use that time carefully and with extreme consideration for what new meaning it will hold after the audience gets to spend more time with these specific characters. The show has two months to get back to that point in time. That's a simple and effective way to raise the tension not only for the premiere but the whole season. It's really a story with life-and-death stakes. It shows that there is so much more to this premise than the search for a simple whistleblower trying to expose agency secrets. There are very few shows out there that actually justify its usage as well. In media res openings like that have become so common over the last few years. It's a story that will end with Daniel getting shot and bleeding out in the street. It's clear from the very first moment that these characters are on a collision course with each other. Instead, it lets the audience in on some pretty big reveals and then just sits back and watches its characters react as things go awry for all of them. It never sets out to be a mystery fueled show. Here, Berlin Station does it with ease while also establishing a tone and mood that are really intriguing. That's basically all that any series premiere can do. Plus, it features a couple of key twists that will make the audience want to see more immediately. It does a strong job introducing all of the characters. It establishes the stakes of this world right away. "Station to Station" is a very entertaining and compelling beginning to this story. And yet, just because it's a familiar premise doesn't mean it's a bad idea. In fact, this show skews very closely to the fifth season of Homeland. That's a premise that has been done before. It's a basic CIA espionage thriller with a group of agents working abroad for a collective goal. There isn't a whole lot of original material within this opening hour of Berlin Station. It doesn't set out to reinvent the genre but the execution is impeccable and the acting is phenomenal. In Berlin Station's case, this is a strong and confident opening hour. First of all, these shows have to be good in order to deserve that kind of attention. These show could become the new face of "acclaimed original series that no one is watching." Of course, that's looking at all of this from the bigger picture. But it's still unclear if Epix can or should be a provider of scripted content. They are bold original shows with some pretty impressive casts. The debuts of Berlin Station and the Nick Nolte-led comedy Graves mark the beginning of a new chapter for Epix. Fragmentation has been good for some of these smaller channels. Audiences have to be even more deliberate and precise with their viewing. This really is the age of so many options that one person can't possibly watch them all. The industry is heading to 500 scripted series a year. ![]() Epix is the latest channel to get into original scripted programming. ![]()
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